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- <text id=92TT0859>
- <title>
- Apr. 20, 1992: The Way We Live Now
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Apr. 20, 1992 Why Voters Don't Trust Clinton
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE WEEK, Page 37
- ARTS & ENTERTAINMENT
- The Way We Live Now
- </hdr><body>
- <p>Pulitzers celebrate a corn-fed Lear and a truly off-Broadway play
- </p>
- <p> The American Dream ain't what it used to be. So it seemed
- fitting that literary explorations of the tattered myths that
- once bound this country together led the pack for this year's
- Pulitzer Prizes.
- </p>
- <p> Novelist Jane Smiley won the fiction award for A Thousand
- Acres, a heartrending Americanization of King Lear in which a
- prosperous Iowa farmer divides his land among three daughters.
- Fortunate Son: The Healing of a Vietnam Vet by Lewis B. Puller
- Jr. was cited in the biography category. Puller, whose late
- father "Chesty" was America's most decorated Marine, lost both
- his legs while serving as a lieutenant in Vietnam. The son's
- memoir provides unsparing commentary on how the nation has
- survived the agonies and complexities of that bitter conflict.
- </p>
- <p> The nonfiction award went to The Prize: The Epic Quest for
- Oil, Money and Power, energy specialist Daniel Yergin's
- best-selling history of oil and how it has misshaped culture in
- the U.S., from fast food to foreign policy. The Pulitzer Board
- also voted a special award to Art Spiegelman, editor of the
- avant-garde graphic magazine Raw, for his unusual Maus tales,
- an autobiographical chronicle in comic-book form about the
- Holocaust, its survivors and their children in which Jews are
- portrayed as mice and Nazis as cats.
- </p>
- <p> The biggest surprise came when the award for drama was
- announced: The Kentucky Cycle, a six-hour historical saga by the
- relatively unknown playwright Robert Schenkkan--and the first
- play to win a Pulitzer without ever having been produced in New
- York City. His epic, which spans 200 years of American history
- as experienced by three eastern Kentucky families, premiered in
- Seattle last June and completed a six-week run in Los Angeles
- last month.
- </p>
- <p> Disturbed by the growing gap between rich and poor in the
- U.S., Schenkkan, who grew up in Texas and lives in California,
- wrote the first of the nine plays that make up the Cycle in
- 1984, following a visit to Kentucky. "Society falls apart when
- the underlying myth no longer functions," he says, paraphrasing
- Joseph Campbell. "Now there's a quest for a new mythology, and
- I'd like to think this play is part of that search."
- </p>
-
- </body></article>
- </text>
-
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